Let’s be honest. The structure of a movie plot often follows the same outline. Occasionally filmmakers will play with the timeline (Irréversible; Two for the Road) or create something experimental (Stanley Kubrick’s filmography). Since the formula often repeats, viewers can guess where things are going and discern the cause and effect relationship of scenes. That being said, there is usually an unwritten agreement between filmmaker and viewer stating that the film will give clues, but it is up to the audience to find them and solve the puzzle.
Lucy is not that type of movie. Luc Besson’s attempt at answering life’s most meaningful questions is an exposé on the concept of “hear dog, see dog” and an opportunity to give a huge middle finger to clues. Continue reading